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Edith came in dressed for church. “This is excitin’ fun,” moaned Moses, as he picked his way carefully with a tin elbow that threatened every moment to capsize with its flaky mass of black dust, “about as excitin’ as playin’ with the ashes in the mornin’.” “That’s good news. Run ahead, boy, and show us the way. Fly, fly!”.

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Mrs. Wopp lurched heavily in her endeavor to calm the tumult of excited voices. Quiet was at length restored after several pupils had given thrilling accounts of catastrophes caused by windstorms. May Nell was not taken to her father; he came to her. Edith’s pictures of the little girl fulfilled their mission; they met him as soon as he landed from South America. He had been a busy man during those few days; had found not only his child but his wife, ill in a country sanitarium; where, for weeks after the earthquake and fire had, she supposed, swallowed her little daughter, she lingered, praying only to die. Now with husband and child both saved to her, she was fast growing well; needed only their presence to complete her recovery. Betty, feeling that further explanations were worse than useless, submitted to be led to the sink where her energetic foster-mother subjected her to so many soapy treatments that in a few minutes time she emerged very red in the face but purified. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers..